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My body of work examines the home as a space of both comfort and confinement. Through depictions of domestic interiors, I explore how familiar surroundings can mirror states of emotional stagnation. Everyday objects, laundry, dishes, and personal belongings, accumulate as visual symbols of inactivity and avoidance of self care, transforming the private sphere into a site of quiet tension. Digital media often plays a recurring role in this environment, reflecting the pervasive influence of online imagery on self-perception and ideals of womanhood. The constant presence of the screen blurs boundaries between the external world and inner experience, revealing how mediated representations can infiltrate even our most personal spaces. Using figural and spatial compositions, I consider the psychological weight of these interiors and the interplay between stillness, isolation, and intrusive expectations. The work reflects on how domestic and digital environments shape the ways we see ourselves, and the spaces we inhabit.

Prints

Drawings

When we think about self-care, we often view it as a series of tasks to perform—activities intended to help us relax or recharge from the pressures placed upon us by others. The very concept implies a degree of self-worth and self-acceptance, a mindset that can feel elusive and may even take a lifetime to cultivate. We are presented with idealized portrayals of self-care, particularly in advertisements, where we see women brushing their teeth with bright smiles, sensually shaving their legs, overjoyed to cook themselves a meal. These images suggest a sense of ease and fulfillment that is often far removed from reality. Getting out of bed can feel like climbing a steep mountain, the act of reaching for a comb or toothbrush resembling a long, exhausting trek, unable to find the motivation to merely eat a meal. For those grappling with self-acceptance, there is little romance in the notion of self-care. Through my drawings, I aim to explore the conflict between these societal expectations of self-care—cleaning, eating, grooming—and the feelings of dread and despair that arise when one is unable to meet these standards, or struggling with so called menial tasks. My work seeks to capture the complexity of these emotions through facial expression in self portraits, and the portrayal of the subject matter through the use of more grotesque colors, inviting viewers to reflect on the often-unseen struggles that accompany the journey toward self-acceptance.

Sculptures

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